在完全开放处理的客厅区域，置入一个大尺度的三角形吧台系统，如同雕塑一般的几何力量，让这一原本四方平和的交流空间充满紧张感。低于视平线的黑色吊柜，让使用者在站立和端坐两种状态中获得不同的视觉感受。三角围合的桌面延续了吊柜的尺寸，保证了这一建筑体块的核心力量。我们想建立一种新的互动秩序，“无阶级”的社交平台。

In the fully open living room area, we have a large-scale triangular bar system, like a sculptural geometric power, making the original peaceful communication space full of tension. A black wall cabinet below the visual horizon allows the user to gain different visual feelings while both standing and sitting. The triangular enclosed table top continues along the wall cabinet, ensuring the core strength of this building block. We want to build a new order of interaction, a "classless" social platform.

在确立了“上高下低，中间透视”的三角形框架之后，我们选择了三种肌理强烈的材料。吊柜外侧选择深度碳化的二次回收木板，木板表面经过大火历炼后，彻底改变其物理状态，呈现出深邃的木纹裂痕和自然黝黑的色泽。下部围合的桌面使用废弃的珍珠棉包装材料，这种“快递时代”被广泛应用的柔软填充物，暖软的触感抵消了三角形的锐利，黑色气孔表面又还原了这一化工制品还是“石油”的自然样貌。两种黑色均保留材料自身质感，不加任何后期涂装，以此泛出的微光，细腻油亮。

After establishing the triangular framework of "top high、bottom low, intermediate perspective", we chose three materials each with a strong texture. On the outside of the wall cabinet there is the secondary recovery board with deep carbonization. After the wood surface has been tempered by fire, the board surface is completely changed in its physical state, showing deep wood grain cracks and natural dark color. The lower enclosure of the table top uses discarded EPS foam materials. In our era, soft filling is widely used, warm and soft to the touch to offset the sharpness of the triangle. Both kinds of black retain the texture of the material itself without any late painting or decoration, in order to spread the dim light, delicate and bright.

吊柜内侧及斜面全部使用银镜贴面，璀璨的反射面消弭黑色体块的沉闷，使这一完型呈现悬浮感，倾斜的镜子里映射出桌面上的伏案工作、眼神交流、茶酒美食，发生的一切故事如同钻石的切面，在幽秘的空间中虚实相间、流光溢彩。

Inside the wall cabinet we’ve used silver mirror. The reflective surface reduces the dullness of the black block, to present suspension. The tilt mirror reflects the work, drinks and food on the table.

为呼应这一非常规的工作社交体量，我们将四面墙体处理成粗粝的表面，开发了三种不同质感的黑色艺术涂料，其一为哑光平滑的纯黑色，运用在大部分墙面；其二为仿毛石粗糙表面的墨绿色，运用在靠近落地窗口的墙面；其三为布满孔洞和银色云母片的纯黑色，运用在室内最大面墙体。墙面三种材料之间细微的差别，让空间统一中蕴含微妙的层次。

In response to this unusual working/social setting, we treated four walls into rough surfaces, developed three different textures of black paint. One is matte and smooth. Pure black which is used on most of the wall; the second is a dark green rough surface of imitation rubble, used on the wall near the landing window； the third is pure black covered with holes and silver mica, used on the largest wall. The subtle difference between three kinds of materials gives the space unity and subtleness.

如黑色洞石的墙面上，还设置了一道浅浅的置物架，贯通整个墙面。用碳化木板立挡，嵌入光源后，形成横向透视感的空间线条，并成为展示设计材料的陈列架。

Inside the wall of black cave stone we have set up a shallow shelf throughout its entirety. Carbonized wood is used as baffle, embedded in light which forms a horizontal perspective space line which is used as a display shelf showing our design materials.

对于原餐厨空间，我们摈弃了传统家用厨房连续操作台的设计，而是将洗、切、烧拆分，却又控制在多人周身合用的尺度内。满足厨房可多人同时操作，协作紧凑，亲密无间，达到浓浓的烟火味。与此同时，延续三角形的空间概念，我们设计了一处高度符合站立操作的暖色三角型岛台。除了解决冰柜、切配、冰池、摆盘等厨房使用功能，还添加了图纸展示的部分，成为一处可边吃边开会的工作交流区。

For the original kitchen space, we have abandoned the design of the traditional household kitchen. Instead, it separates washing, cutting and cooking and it’s a space shared by many people. The kitchen can be operated by more than one person at the same time and the space is compact but spacious at the same time. Continuing the spatial concept of the triangle, we designed a warm colored triangular kitchen island that is highly convenient for doing tasks while standing. In addition to a space for cutting, plating and other kitchen functions, we also added an area for drawings, making it a work area for meetings while eating.

为了传达温暖明亮的操作气氛，我们用了三种柔和而有共性的材料。台面均用“黄花玉”大理石，做了两种面层处理。哑光毛面应用于厨房操作台，水洗亮面应用于小三角岛台，同一石材的两种触感，适应了“厨房”内不同功能的使用，更体现了材料的两种表情。

In order to convey a warm and bright operating atmosphere, we used three soft and common materials. The mesa is made of "Topaz" marble. Two different textures have been processed. The matte wool surface is applied in the kitchen table, and the washed bright surface is applied in the small triangular island table. The two uses of the same stone adapt to the use of different functions in the "kitchen", and it also reflects the two expressions of the material.

该空间柜体都选用“大花纹多层板”为基层和面材，为了减少材料过度使用，多层板不做封面封边的处理，而是对纹切割，完全裸露出材料自身的纹理和色泽。这也是这次设计实验中我们期望达到的“尊重每个材料的本元，减少工艺修饰、遮盖办法，自信的暴露原材料，通过新颖的组合方式让材料之间产生混搭的时髦度”。我们也将这款多层板运用到自己开发的活动吊顶系统中，用简便的螺杆五金安装，灵活可变，均匀留缝。除了达到吊顶式样的新潮，更为设备安装维修、空调自然吸风、管路布线调整等基础工程提供了便利，更是呼应上面所提出的“暴露美学”。这里的裸露包括了原有建筑中看似杂乱难看的基础设备和管线。

The cabinet in this space uses "large pattern multilayer board" for the base and surface material. In order to reduce the excessive use of materials, the multilayer board has not been treated, but it’s cut according to the texture，completely exposing the texture and color of the material itself. "Respect the essence of each material, reduce process modification, confident exposure of raw materials through a novel combination of materials to produce a "mix and match fashion.”We will also use this multilayer plate to our own developed active ceiling system, with simple screw hardware installation, flexible and uniform seam retention. In addition to reaching the trendiness of the ceiling, it is more convenient for equipment installation and maintenance, air conditioning, natural air absorption, pipeline wiring adjustment and other basic projects, and also to echo the "exposure aesthetics" proposed above. You can see the seemingly messy infrastructure and pipelines of the original design.

斜贯整个吊顶，我们嵌入了长8700mm的“H”型镀锌金属型材，功能上将吊挂幕帘、投影布、装置艺术品或者展览品的可能性并置在这一吊挂构建中，斜贯客厅与厨房两个空间，始终呼应了大小两组三角形的60°斜线关系，增加了延伸感，并巧妙的与地板铺贴方向上下重合，成为强烈的视线引导。

The entire ceiling is inclined We embedded the "H" galvanized metal profile of 8700mm. The function juxtaposes the possibility of a hanging curtain, projection cloth and installation works of art or exhibits. It tilts through the two spaces of the living room and kitchen, always echoes the 60 ° oblique line relationship of two groups of triangles, increases the sense of extension and skillfully coincides with the floor direction up and down to become a strong line of sight guidance.

餐厨区的第三种材料是以“海吉布”为基础的粉绿色防水乳胶漆。“利落建造”有一个设计上的趣味默契，每一个案例会运用一处或几处与场地外部呼应的材料，以得到与原有建筑的关联。“海吉布”便是小区楼中外墙用到的面层材料。墙面规则细腻的肌理敷上柔和的冷色调，与柜体台面的暖色做对比，复古而摩登。而两组可移动的双折叠式酒柜成为通向卧室的暗门，酒柜内保留多层板的本色，外部用酒红色樱桃木贴面。整个酒柜两两折叠之后将走廊掩藏其后，缓缓打开又如百宝箱般呈现出柜内收纳的各色酒品，为工作交流增加酒精的微醺，让共享交流的气氛极为迷人。

The third material in the kitchen area is pink green waterproof emulsion paint based on "haijib". "Agile construction" has an interesting tacit understanding in design. Each case will use one or several materials corresponding to the outside of the site to get the connection with the original building. "Haijib" is the surface material used for the middle and outer walls of the building. The regular and delicate texture of the wall is applied with soft, cold color, which contrasts with the warm color of the cabinet table, retro and modern. The two groups of movable double folding wine cabinets become the hidden door leading to the bedroom. The original color of the multi-layer board is retained in the wine cabinet and the exterior is covered with wine red cherry wood. After the whole wine cabinet is folded in pairs, the corridor is hidden then it is opened slowly and presents all kinds of wine products stored in the cabinet, like a treasure chest, which increases the slight intoxication of alcohol for work communication and makes the atmosphere of sharing and communication extremely charming.

地面，我们与“感物”地板合作，将其历年开发样品的库存进行整编，选出33款不同木质、色泽以及面层处理的实木复合地板，按空间主题“三角”的斜向，由深到浅有机铺贴，笃定的倾斜角度让地面材质统一成完整的视觉界面，使这一小型空间的地表拥有了无与伦比的丰富性。

On the ground, we incorporated the "Ugan concept" floor to reorganize the inventory of its development samples over the years, and selected 33 solid wood composite floor panels with different wood, color and surface treatment. According to the oblique direction of the spatial theme "triangle", we organically paved from deep to shallow, and the determined inclined angle, so that the ground material can be unified into a complete visual interface, The surface of this small space has unparalleled richness.

步入厨房后侧走廊，是外部交流分享空间和内部居停办公空间的过度阶段。倾斜的设计感延续至此，由尽头的镜面开门作为终点，60°的镜面交角形成了对视的反射效果。廊右侧开一扇移门，银色门面后掩藏一处客用卫生间，墙地都用黑石拉纹，卫生间内仅用三道镭射光线作为照明，使卫生间电子而迷幻。

Stepping into the back corridor of the kitchen you’ll see the transitional stage of external communication, sharing space and internal residential office space. The inclined design continues to this point, with the mirror opening at the end point, and the 60 ° mirror angle forms the reflection effect of looking at each other. A sliding door is opened on the right side of the corridor. Behind the silver facade, a guest bathroom is hidden. The walls and floors are made of black stone. Only three laser lights are used as lighting in the bathroom, making the bathroom electronic and psychedelic.

穿过短暂的暗廊，推开60°对角的镜面房门，是两处房间。一处解决内部办公和仓储，一处重点打造如同mini精品酒店般的居停空间。卫浴功能解构拆分，保证了独立私密的淋浴和如厕，同时将1500mm的浴缸和洗漱台结合在床背之后。为升华这次实验“暴露美学”，我们将水龙头进一步解构成冷、热、台盆、浴缸四路分水组合使用，暴露的水管成为一种形式和功能的结合。浴缸和床的紧密联系，也突破了惯常卧室的观念。通常认为浴缸的水蒸汽会潮湿床品的顾虑，在实际使用中并未发生。反倒让泡澡和睡眠这两件最为放松的事情，在狭小空间内无缝衔接。紧凑合理的布局，是通过对生活状态的持续理解所得。

Through the short dark corridor and the mirror door, there are two rooms. One serves as an internal office and storage, and the other focuses on creating a residential space, like a mini boutique hotel. The deconstruction and separation of the bathroom function ensures an independent and private shower and toilet. At the same time, 1500mm bathtub and washbasin are combined behind the bed. In order to sublimate the "exposure aesthetics" of this experiment, we further deconstructed the faucet into four water diversion combinations of cold, hot, basin and bathtub, and the exposed water pipe becomes a combination of form and function. The close connection between bathtub and bed also breaks through the concept of a habitual bedroom. It is generally considered that the steam of the bathtub will dampen the bedding, which has not occurred in practical use. Instead, it lets the two most relaxing things, bath and sleep, connect seamlessly in a narrow space. The compact and reasonable layout is obtained through the continuous understanding of the living state.

一张单人床面向落地窗，清晨阳光透过粉色“皮肤衣面料”制成的纱帘，投射到暖灰色肌理墙面，及居住人的脚面，使卧室温情款款。由六角型钢定制的挂衣杆，满足短居者的衣物挂放，同样用六角型钢制作的浴缸支架，一改传统浴缸安装工艺，连下水软管也轻松调皮的明装在外，即呼应了构建的“暴露美学”，又让浴缸的安装、维修轻松便捷。

A single bed faces the French window. In the morning, the sun shines through the gauze curtain made of pink "NYLON", onto the warm gray texture wall and the residents' feet making the bedroom warm. The clothes hanging rod, customized by hexagonal section steel is suitable for hanging clothes and is convenient for shorter residents. Similarly, the bathtub support is made of hexagonal section steel which changes the traditional bathtub installation process, and even the water hose is easily and playfully installed outside, which not only echoes the constructed "exposure aesthetics", but also makes the installation and maintenance of the bathtub easy and convenient.

整个洗漱卫浴区继续使用黄花玉大理石，强化温暖自然的体验感。大面积的落地镜与石材连缝拼贴，将梳妆镜、换衣镜合体，更从视觉上扩大了空间面积。枫木地板围合而成的床背、护墙、地面使居住更加亲昵。而忽然穿插的一片凿纹老木板，床头一处圆角的石材小几，让这不足16平方米的小空间释放出无穷的趣味和细节。

The whole bathroom area continues to use Topaz marble to strengthen the warm and natural experience. The large-area floor mirror and stone are stitched together to integrate the dressing mirror which visually expands the space area. Behind the bed, the parapet and ground is surrounded by maple floor making the living space more intimate. And interspersed with a chiseled old wood board and a small stone table with a rounded corner at the head of the bed, it lets this small space of less than 16 square meters release infinite interest and detail.

我们用设计引导情绪，从进门的夸张造型、凝重色彩，到中段餐厨区的分散布局、明亮饱和，以致最后进入平稳工整、柔和统一的温暖居停。在这样一处百平米的“家空间”，汇集了开放办公、社交创意、纵情生活这三种使用属性。

We use design to guide our emotions, from the exaggerated modeling and dignified color of the entrance to the decentralized layout and bright saturation of the middle kitchen area, so as to finally enter a stable, neat, soft and unified warm place. In a 100 square meter "home space", it brings together three different attributes: open office, social creativity and indulgence in life.

由“三角形”为空间形态的生发点，使用“碳化二次回收木板”、“黑涂料”、“黄花玉”、“多层板”、“海吉布”、“珍珠棉”这几种并不常用的材料，突出每种材料全新的搭配，并将整个空间控制在有限的色相里，透过控制光线的面积，以及墙、地、顶、核心家具在功能、比例、视觉体验上的解构、重叠，获得了非常态的“公寓”空间感受。

The "triangle" is the growth point of the spatial form, and several uncommon materials such as "carbonized secondary recycling wood board", "black paint", "topaz", "multilayer board", "haijib" and "EPS foam" is used to highlight the new collocation of each material and control the whole space in a limited hue by controlling the area of light, as well as the wall, ground and ceiling. The deconstruction and overlap of core furniture in function, proportion and visual experience have obtained an extraordinary "apartment" space feeling.

在公寓空间中使用黑色调或许十分大胆，但我们认为黑色是一个向内的颜色，它能让人先有凝视未知，再有凝视对方，最终凝视自我。社交吧台系统用了力量均衡的三角形，打造了“去阶级”的社交状态，每个位置上的人均可获得工作与交流中的“C位”情绪。

It may be very bold to use black tone in the apartment space, but we think black is an inward color. It can make people stare at the unknown first, then at each other, and finally at themselves. The social bar system uses a triangle of balanced power to create a "classless" social state. Everyone at each position can get the "c-position" emotion in work and communicate.

黑色又赋予三角形更强的几何形态，这种几何感使人从孤立自我的状态中抽离出来，开始关注周边。每个围坐桌边的人都在这一坚固稳定的形态下，既保持一种独立姿态，又可随时融入同场交流的气氛当中，或是对视，或是斜望，或是攀谈，我们希望营造自由、纵情的工作方式。

Black also gives the triangle a stronger geometric shape, which makes people pull out of their state of isolation and start to pay attention to their surroundings. In this solid and stable form everyone around the table can not only maintain an independent posture, but also integrate into the atmosphere of communication at any time. We hope to create a free and indulgent way of working.

最后，让我们回到入口处，一席弧形布帘分成正反两面，向内灰暗深沉，向外明黄亮丽。一体两面的设计，一体两面的人心，正是契合“利落建造”现阶段内外求索的设计状态，也是我们想表达青年创意人的生活方式——工作即纵情。

Finally, let's go back to the entrance. An arc curtain is divided into cool and warm sides, dark and dark inward and bright and yellow outward. The design of one and two sides and the people of one and two sides are the design state that fits the internal and external quest of "lialawlab" at the present stage, and it is also the way we want to express the life style of young creative people - work as fun.